{"id":2979,"date":"2022-05-21T13:58:23","date_gmt":"2022-05-21T13:58:23","guid":{"rendered":"https:\/\/peruskobogdanic.com\/the-forum-gallery-studio-zagreb-1981\/"},"modified":"2022-11-14T09:45:13","modified_gmt":"2022-11-14T09:45:13","slug":"the-forum-gallery-studio-zagreb-1981","status":"publish","type":"page","link":"https:\/\/peruskobogdanic.com\/en\/the-forum-gallery-studio-zagreb-1981\/","title":{"rendered":"The Forum Gallery Studio, Zagreb, 1981"},"content":{"rendered":"\t\t
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The Forum Gallery Studio, Zagreb, 1981<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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The foreword from the exhibition catalogue Forum Gallery Studio, 1981<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Zvonko Makovi\u0107<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When Peru\u0161ko Bogdani\u0107 appeared with his first solo show in the spring of 1980, it was clear that his works did not come into being either fortuitously or simply. The classical sculptural materials he used, the iron, bronze, and alabaster, heightened the feeling of finish and maturity of his softened geometrical forms. There was nothing extraneous in these works: the smooth prismatic bodies finished with a ridgy crest or unexpectedly stretched and expanded, creating soft recesses in the upper parts. Some turned the vertical axis at the beginning of growth into a taut obliquity that bore a slightly twisted mass. On the whole, the sculptures were strung together into cycles of sorts. The artist, thus, with a series of similar forms, explained minimal plastic differences, whether it was the axis, treatment of the surface, some material change, or even the problem of balance. It was precisely in these fundamental problems of form that Bogdani\u0107 showed superior mastery of his medium. Sometimes in this superiority, there would be saturation: in their extreme refinement, vital and sinewy forms seemed just a bit too classical for an artist just starting. Before these works, Peru\u0161ko Bogdani\u0107 had produced several wire mesh constructions. The hollow cylindrical form twisted and bent and thus created an appearance of tension of the inner volume that corresponded freely with the external spatial layer through the open, transparent membrane. These wire meshes were like spatial drawings-temporary, inconstant and fragile. The “poor” material spoke directly about the focus of the sculptural problem: the tension of specious volumes. The artist produced these provisionally named wire constructions with brief and concise operations leaving the material raw and not concealing its “paucity”. This is why I mention the works from the first Bogdani\u0107 exhibition, the softer geometrical volumes on the one hand\u00a0and the slightly older wire works on the other. Looking at the new sculptures, we can see the roots that go back to these two sources. The assuaged minimalism grew into necessary forms that replaced their predecessors’ finish and crystal clarity with roughness, an almost organic strength. The conditions became more fraught; the axis of the sculpture is no longer so limber and condensed, and its raw vitality is conspicuous. The differences in the treatment of the surface are the most obvious. There are no more smooth polished surfaces in these works. Indeed, the artist left visible tool marks, and a visual touch and the feeling of the elementary substantiality of the sculpture were explained. The works were made of plaster, wood, mortar, and bronze. In their design, they are not concealed behind smooth and opaque membranes. With their rugged exteriors, they attempt to heighten the original state of the material and offer a sense of immediacy to the shaping process. And it is precisely in this rawness, this “paucity” of the material, and the impression of immediacy, that we can recognize a similarity with the previous works of wire mesh. Once again, concise and direct speech with raw materials is noted. The identical statues done in bronze and plaster tell us the meaning of the importance of materials. In earlier works, the surface was polished to a shine; now, it is always matte. All this suggests a critical turning point in which it is possible to recognize traces of earlier experiences. Summing up these experiences is only one component in these genuinely new and truly integral works of Bogdani\u0107.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Flora i Tonko Maroevi\u0107, Opening of the exhibition, The Forum Gallery Studio, Zagreb, 1981<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Opening of the exhibition, The Forum Gallery Studio, Zagreb, 1981<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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All Day Universe, 1981<\/a><\/h4>\n\n\n \n \n <\/div>\n\n \n<\/article>\n
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All Day Universe 1981 \/ Puppets from Schwabing 1981 \/ Genesis 1981<\/a><\/h4>\n\n\n \n \n <\/div>\n\n \n<\/article>\n
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Scene, 1981<\/a><\/h4>\n\n\n \n \n <\/div>\n\n \n<\/article>\n
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Mirror 1981 \/ Volume of Wind 1981 \/ Souvenir 1981<\/a><\/h4>\n\n\n \n \n <\/div>\n\n \n<\/article>\n
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Back to Exhibitions The Forum Gallery Studio, Zagreb, 1981 The foreword from the exhibition catalogue Forum Gallery Studio, 1981 Zvonko Makovi\u0107 When Peru\u0161ko Bogdani\u0107 appeared with his first solo show in the spring of 1980, it was clear that his works did not come into…<\/p>\n","protected":false},"author":1,"featured_media":2812,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2979","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nThe Forum Gallery Studio, Zagreb, 1981 - Peru\u0161ko Bogdani\u0107<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/peruskobogdanic.com\/en\/the-forum-gallery-studio-zagreb-1981\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Forum Gallery Studio, Zagreb, 1981 - 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